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She possesses all the attributes of the quintessential English aristocrat: aquiline features, a haughty froideur and the self-assurance that privilege bestows.

Indeed, actress Tilda Swinton – daughter of the former Lord Lieutenant of Berwickshire, Major General Sir John Swinton – can trace her family’s lineage back to the 9th Century.‘I am not English, I am Scottish,’ the 53-year-old actress insists over tea when we meet in a Beverly Hills hotel, thousands of miles from her home overlooking the Moray Firth in Nairn in the north of Scotland.‘There is all this talk of independence for Scotland,’ she adds briskly. ‘There’s something about being Scottish,’ she says, her piercing eyes blazing with pride. ‘And where my family live is a very beautiful sort of semi-wilderness that really suits us. Sometimes, when I’ve been in America and I go home, it’s so green that I have to literally rub my eyes as I look out of the aeroplane window.’Tilda created a bridge between her life as a film actress and her life in the remote Highlands by setting up her own film festival, renting a ballroom in Nairn to screen films.

Artist and screenwriter John Byrne has a major exhibition of his portraits.

His wife Jeanine features – and so does a former lover, a certain Tilda Swinton.

She followed this with appearances in Vanilla Sky (2001), Adaptation (2002), Young Adam (2003), and Constantine (2005).

She then starred in the crime drama Julia (2008), I Am Love (2009), and the psychological thriller We Need to Talk About Kevin (2011).

She began her career in films directed by Derek Jarman, starting with Caravaggio (1986), followed by The Last of England (1988), War Requiem (1989) and The Garden (1990).

She is the recipient of two BAFTA Awards, one BIFA Award, an Academy Award for Best Supporting Actress and has received three nominations for a Golden Globe Award.

She next starred in Sally Potter's Orlando (1992), and was nominated for the European Film Award for Best Actress.

Swinton was nominated for a Golden Globe Award for her performance in The Deep End (2001).

She shrugs off questions about her quirky and very individual looks. Vive la difference.’She wasn’t always so sanguine, however, about her appearance. So he’s always felt like a cousin even though I’d never met him.

‘I’m not sure I know what people mean when they say I look different,’ she says. It was her lookalike David Bowie, for whom she appeared in a video last year for his album The Next Day, who enabled her as a teenager to overcome her insecurities about looking different. It gave me great comfort at the time that not only did someone else look like this, but felt proud enough to stick themselves on the front of an album with a lightning zig-zag across their face . Of course, the camera adores Tilda’s unusual appearance.

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